The Nash Ensembles' "Echoes of Romanticism" series at the Wigmore Hall, of which this concert was a part, is not really an exploration of romanticism as such, but rather a charting of the rise and fall of Teutonic music between Mozart and Schoenberg. This is a fascinating story to tell, and this evening provided a particular insight into Richard Strauss – a key and particularly divisive figure in this narrative, his career spanning as it did from the highest high-romanticism to the era's last glorious gasps in the perenially celebrated works of his "Indian Summer" period. Wagner and Mozart, his two musical heroes, were each represented by a work which seemed to have a particular bearing or resonance on the Strauss work presented here in excerpts: his final opera Capriccio.
Read the full review here. Interesting to hear Lott at this stage in her career. At 64 it's amazing she's performing at all, but it really is quite a wide vibrato she has now. I've never been a super big fan as she often feels a little reserved and noncommital in her delivery, but the Jarvi discs she recorded of Strauss orchestral songs for instance are absolutely stonkingly beautiful.